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	<title>Vio Saraza</title>
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	<description>Incantations for a Bigger Tango</description>
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		<title>Nuevo Tango Reloaded</title>
		<link>http://viosaraza.com/blog/?p=109</link>
		<comments>http://viosaraza.com/blog/?p=109#comments</comments>
		<pubDate>Mon, 09 Jan 2012 06:42:05 +0000</pubDate>
		<dc:creator>vio</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Nuevo]]></category>
		<category><![CDATA[styles]]></category>

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		<description><![CDATA[The Buenos Aires perspective: “Tango Nuevo doesn’t exist” and the NZ/AU perspective “There are styles of Argentine Tango and every dancer can be categorized into one of them” are talking past each other. I’m starting to feel it’s a bit disingenuous to keep insisting that it doesn’t exist. This post is my first attempt to describe what it is that people are seeing when they say “that’s tango nuevo”.]]></description>
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		<title>About Authenticity</title>
		<link>http://viosaraza.com/blog/?p=107</link>
		<comments>http://viosaraza.com/blog/?p=107#comments</comments>
		<pubDate>Thu, 05 Jan 2012 06:41:27 +0000</pubDate>
		<dc:creator>vio</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[authenticity]]></category>
		<category><![CDATA[Buenos Aires]]></category>

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		<description><![CDATA[I have forbidden myself from using the word “authenticity”. I don’t give “that’s the way it’s done” as an explanation, and I don’t let myself say “how it is in Buenos Aires”. Don’t get me wrong, I love Buenos Aires and dancing there. I am incredibly nostalgic for the rituals and quirks that define my life in that beautiful city. And I always honor and give credit when it’s possible to do so. But what I see is that these explanations don’t serve my goals as a teacher and dancer – to empower my students and make tango culturally relevant.]]></description>
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		<title>Guide to Buenos Aires (October 2011)</title>
		<link>http://viosaraza.com/blog/?p=94</link>
		<comments>http://viosaraza.com/blog/?p=94#comments</comments>
		<pubDate>Mon, 07 Nov 2011 13:40:39 +0000</pubDate>
		<dc:creator>vio</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[queer]]></category>
		<category><![CDATA[teachers]]></category>

		<guid isPermaLink="false">http://viosaraza.com/blog/?p=94</guid>
		<description><![CDATA[This guide covers neighborhoods, food, pilates, tango dancing and instruction, and shopping. My map of favorite things is here Neighborhoods I&#8217;ve now lived in 5 neighborhoods: Palermo Hollywood (north of Justo), Palermo near Plaza Italia, Barrio Norte (south of Scalabrini Ortiz), Colegiales (west of Belgrano), and this time I stayed with Greg in Villa Crespo [...]]]></description>
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		<title>Nuevo Tango Doesn’t Exist, But it Sure is Taking up a Lot of Space on the Dance Floor</title>
		<link>http://viosaraza.com/blog/?p=57</link>
		<comments>http://viosaraza.com/blog/?p=57#comments</comments>
		<pubDate>Tue, 19 Jul 2011 10:55:40 +0000</pubDate>
		<dc:creator>vio</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Buenos Aires]]></category>
		<category><![CDATA[Nuevo]]></category>
		<category><![CDATA[styles]]></category>

		<guid isPermaLink="false">http://viosaraza.com/blog/?p=57</guid>
		<description><![CDATA[Indeed, a visitor to Buenos Aires could not today distinguish between traditional and new milongas based on the music played, the embrace used, which orchestras are invited to play, or which dancers are invited to perform. What is different is age of patrons, and whether the tables are hosted and segregated... Click title above to read whole article... ]]></description>
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		<title>Renaming the Roles</title>
		<link>http://viosaraza.com/blog/?p=55</link>
		<comments>http://viosaraza.com/blog/?p=55#comments</comments>
		<pubDate>Fri, 03 Jun 2011 12:16:31 +0000</pubDate>
		<dc:creator>vio</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[queer]]></category>

		<guid isPermaLink="false">http://viosaraza.com/blog/?p=55</guid>
		<description><![CDATA[The more I experience and enjoy tango the more of a gender essentialist I seem to become. For me it does affirm extreme, nearly fantastic, masculinity and femininity, but as a person I enjoy more and more both of those roles. I am now dancing about 60-70%lead, some weeks are 50/50.  I do not feel [...]]]></description>
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		<title>Becoming an Essentialist Feminist</title>
		<link>http://viosaraza.com/blog/?p=51</link>
		<comments>http://viosaraza.com/blog/?p=51#comments</comments>
		<pubDate>Wed, 16 Mar 2011 22:41:02 +0000</pubDate>
		<dc:creator>vio</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[gender]]></category>

		<guid isPermaLink="false">http://viosaraza.com/blog/?p=51</guid>
		<description><![CDATA[Lecture from Tango Class 2011-03-12 I believe education at its best is performance art. I need to show up to this space with the deepest and most profound understanding and present it to you in the way I think best. I also understand that I am an elder to you. I am responsible to teach [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Tango and Visual Art</title>
		<link>http://viosaraza.com/blog/?p=37</link>
		<comments>http://viosaraza.com/blog/?p=37#comments</comments>
		<pubDate>Mon, 03 Jan 2011 02:42:30 +0000</pubDate>
		<dc:creator>vio</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[fusion]]></category>
		<category><![CDATA[global]]></category>

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		<description><![CDATA[...That we can learn from what other artists are doing. Surely this exhibit is about the dualism between cultural fusions we don’t even choose because they are happening to us in the waves of globalization, one of which birthed tango. We tanguera/os are struggling to learn to share, gripping authority as it slips through the toes, parrying each fusion that comes, trading shifts on the guardwatch, fighting over the orthodox, whirling around to explain that tango has always been a fusion, has always been diverse, has always been changing, has always been shared.]]></description>
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		<title>Why I hate Comme Il Faut tango shoes</title>
		<link>http://viosaraza.com/blog/?p=12</link>
		<comments>http://viosaraza.com/blog/?p=12#comments</comments>
		<pubDate>Wed, 08 Dec 2010 06:45:17 +0000</pubDate>
		<dc:creator>vio</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[shoes]]></category>
		<category><![CDATA[styles]]></category>

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		<description><![CDATA[Purportedly the most sophisticated tango shoes, Comme Il Faut have a few silly secrets... ]]></description>
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		<title>Why we need feminist tango</title>
		<link>http://viosaraza.com/blog/?p=6</link>
		<comments>http://viosaraza.com/blog/?p=6#comments</comments>
		<pubDate>Thu, 18 Mar 2010 06:46:20 +0000</pubDate>
		<dc:creator>vio</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[GirlLeaders]]></category>

		<guid isPermaLink="false">http://viosaraza.com/blog/?p=6</guid>
		<description><![CDATA[A feminist tango is not anti-man in any way, but it is pro-woman. It means we give each other the same gracious generosity that we habitually and unhesitatingly offer to strange men. It means we give each other more, and what that more can be is open to the imagination of every woman who has suffered the unique and poignant pains of tango. It would mean we see each other as sisters and we know that encouraging confidence and power will expand the space for all of us.]]></description>
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		<title>Queer/Tango: Gender performance, objects of desire, and inhabited essence … delinked</title>
		<link>http://viosaraza.com/blog/?p=19</link>
		<comments>http://viosaraza.com/blog/?p=19#comments</comments>
		<pubDate>Thu, 02 Apr 2009 00:35:23 +0000</pubDate>
		<dc:creator>vio</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[desire]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[GirlLeaders]]></category>
		<category><![CDATA[queer]]></category>

		<guid isPermaLink="false">http://viosaraza.com/blog/?p=19</guid>
		<description><![CDATA[This research note examines the unique possibilities that tango may create as it becomes queered, and identifies ways in which the extreme gender environment of traditional tango is already queer. I distinguish three layers of gender experience in tango: drag, object desire, and inhabitation of essence. ]]></description>
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